Enter your email Address

logo_white_hd
logo_white_cube_hd
Contact Press
logo_white_hd
  • La Jetée

    Clermont-Ferrand

    • Documentation Center
    • Regular Events
    • Short film screenings
    • Training
    • Seminars
    • All Shorts
  • Short Film 2 > 10 FEB

    Festival

    • Overview
    • Participate
      • Submit a film
      • Become a volunteer
      • Survival guide for newcomers
      • Professionals
      • Ticket OfficeCLOSED
    • Discover more
      • La Brasserie du court
      • Le Trombino
      • Catalogues
      • Shop
      • Our commitments
    • Useful information
      • Coming to Clermont-Ferrand
      • Accomodation
      • Restaurants
      • Festival Locations
    • Archives
  • Short Film 5 > 8 FEB.

    Market

    • Overview
    • MEDIA Rendez-vous
    • Euro Connection
    • Shortfilmwire+
    • Participate
      • On site
      • Remotely
    • Pro Reception Desk
    • Prepare my visit
  • Short Film

    Circulation
    • Circuit Court
    • Suites Africa 2020
    • Screen festival programs
    • Plein Champ Network
    • Shortfilmdepot
  • Short Cuts

    Professionnalisation

    • Residences
    • Training
    • Support
    • Workshops
  • Education and

    Training
    • Upcoming events
    • Actions
      • Young audience screenings
      • Educational workshops
      • Anatomies
      • L’Atelier
      • Young critics competition
        • Young critics competition 2018
        • Young critics competition 2017
      • Ciné en herbe
    • Devices
      • Culture at the hospital
      • Culture in prison
      • Kindergarten at the cinema
      • High school at the cinema
      • Cinema sections
    • Training
      • Short Film Festival
      • Teaching cinema
      • School and cinema
      • Middle school at the cinema
      • High school at the cinema
      • Cinema sections
      • PREAC cinema
      • MIRE / ESPE
    • Resources
      • Educational tools
      • Transmission impossible
      • Le fil des images
      • Transmettre le cinéma
      • Ressources by film
      • Côté Court – LDVTV
        • Côté Court 2019
        • Côté Court 2018
        • Vu en court 2017
        • Vu en court 2016
        • Vu en court 2015
        • Vu en court 2014
        • Vu en court 2013
        • Vu en court 2012
  • Auvergne

    Film Commission
    • Film desk
      • Missions and operations
      • Films shot in Auvergne
      • Auvergne in numbers
    • Your locations in Auvergne
      • Photo gallery
      • Search a location
      • Host a location
    • Creation funds
      • Residences
      • Production funds
      • Development funds
    • Pro Area
  • News
  • Archives
  • About us
  • Team
  • Partners
  • Advertisement

© Sauve qui peut le court métrage

Legal Mentions | Privacy

  • FR
  • EN
  • Editorial – International Competition 2022

    14 December 2021
    Festival
    • INTER REC V2

    What a Wonderful World

    We started out with 6200, and will end up with 77 short films to discover in this 2022 International Competition. 84 directors will offer just as many visions of the world around us. 55 countries are represented with just as many stories from elsewhere. Once again, the festival will give us the opportunity to travel to the other side of the globe through these films, as we take the pulse of the planet, or let ourselves be taken in by unknown imaginary worlds.

    From left to right:The Bayview by Daniel Cook,São Paulo Open Wound by Elizabeth Rocha Salgado,A Hidden Trail by Hsuan Kang Tsai andNight of the Living Dicks by Ilja Rautsi

    Film genre in the spotlight

    One genre may hide another, with a large number of fictional films (animated or live action) and documentaries in the 2022 selection. With regard to animation, we’ll discover 16 different creative visual destinations, mostly European, but with stops in South Korea (Invisible Eyes, which follows a band of children attacking a colony of ants in the forest), Canada (Marco & Polo Go Round, where a couple’s discussion takes an antigravitational turn) and Mali (On the Surface, a co-production with Iceland which addresses the question of the transmission of cultural heritage).

    The documentary is not to be outdone, with 10 films that witness, show and recount a reality that sometimes mixes with the fictional (Pa Vend, Kosovo, where we follow the wanderings of a ping-pong club). We can discover the gentle English coast and the never-ending ballet of its sailors in Bayview (Scotland), and the revolutionary energy of the queer community unter the rule of Bolsonaro in São Paulo Open Wound (Brazil). But when we speak of genre, we also speak of fantasy, and the strange creatures that inhabit this international program. Those of A Hidden Trail (Taiwan), where the smugglers in the jungle are not alone; those of Sista Äktenskapet (Sweden) where a man and a woman try to save their couple in the middle of a zombie attack; or the amazing powers of a pair of glasses that reveal the secret and phallic nature of men in Night of the Living Dicks (Finland).

    From one generation to the next

    Men, women, and generations cross paths in the international competition. In Birds, we follow  bright and confident young people through a true and positive gallery of portraits. In Farrucas (Spain), other teenagers discuss their hopes and dreams. We also talk more about our seniors this year, and their deafening revolt. A woman finally snaps after a difficult day in Es muss (Switzerland), another talks to her grandmother about sexuality in Bolo raz jedno more… (Slovenia, Poland).

    The union of these generations, especially through the female lens, is also at the core of Sisters’ Busy Hands (Taiwan, 2023 festival guest country), which follows the tribulations of a mother, her daughter and a friend, and who are in turn funny and determined. In Mate, a young Australian spends his birthday with a father he doesn’t know very well. In Night of the Living Dreads (England), a young woman recalls the shameful memories of her childhood and teenage years as she goes to sleep, told in the voice of Stephen Fry. 

    From left to right:Birds by Katherine Propper,Farrucas by Ian de la Rosa,Es Muss by Flavio Luca Marano & Jumana Issa andBolo Raz Jedno More by Joanna Kozuch
    From left to right:Egúngún by Olive Nwosu,The Headhunter’s Daughter by Don Josephus Raphael Eblahan,Ir y Volver by José Permar andDie Geheimnisvollen Inseln by Marian Freistuehler

    A changing world

    Freeing ourselves from our complexes and from the regards of others is also a common theme in this year’s films, which bear witness to a world in full evolution. Once again, we can discover the portraits of women fighting for freedom, like in Egúngún, the latest film from director Olive Nwosu – whose previous film (Troublemaker) was selected in the African Perspective – which addresses the complex relationship between those who left and those who had to stay behind. In The Headhunter’s Daughter (Philippines, United States), we follow the journey of a young woman who dreams to be a cowgirl, far away from the destiny that has been laid out for her.

    In Khushboo, an old Indian man witnesses the accelerated modernization of his country and tries to rediscover the scent of flowers that he used to love. And finally, of course, the pandemic left an imprint on many an international director and is both the subject and the backdrop of many films in this selection: in Ir y Volver (Mexico, Hungary), a young man shares from Europe the impact that COVID had on his family and his native country; on a lighter note, the German film Die Geheimnisvollen Inseln has us follow the wanderings of a young man waiting for his lover who is stuck in quarantine in the port of Hamburg. 

    Laugh, discover, reflect, escape, dream, revolt. This is what the 2022 International Competition has in store for us!


    Consult the shortlist of the International Competition 2022

    Facts and figures

    6 200 films submitted

    77 films selected

    51 live actions

    16 animations

    10 documentaries

    Networks
    Recent posts
    • The 2024 Clermont-Ferrand International Short Film Festival poster is out!

      21 September 2023
    • An open letter from the Clermont-Ferrand International Short Film Festival to Laurent Wauquiez, President of the Auvergne-Rhône-Alpes Regional Council

      15 May 2023
    • Press release: Don’t Stop Us Now

      13 May 2023
    • Short talk – Sara Gunnarsdóttir

      14 February 2023
    • Short talk – Vytautas Katkus

      13 February 2023
    • Short talk – Camille Authouart

    • Short talk – Alica Bednáriková

      10 February 2023
    • Short talk – Frédéric Bélier-Garcia

    • Short talk – Osman Cerfon

    Blog
    Editorial – National Competition 2022
    Week-end tribu à la Comédie
  • FR
  • EN
  • Ville de Clermont-Ferrand Région Auvergne-Rhône-Alpes Département du Puy-de-Dôme Clermont Métropole CNC Ministère de la culture et de la communication Europe Media
    All partners
    Clermont ISFF | Editorial – International Competition 2022 | Clermont ISFF
    class="post-template-default single single-post postid-44499 single-format-standard samba_theme samba_left_nav samba_left_align samba_responsive thvers_100 framework_99 wpb-js-composer js-comp-ver-6.13.0 vc_responsive"