Interview with Andrew Betzer, director of Important Police Shit Can you explain the title? The title is supposed to sound like police slang. A term that only police use, in this case to describe the rights and trials that they go through in their training. The title is made up, but I feel that it sounds very authentic. I’m surprised the term does […]
Interview with Haris Raftogiannis, director of Premier amour Why did you want to deal with the theme of desire? To love and to be loved is something that concerns me a lot. Love is a political act as one of my friends says. To make a film especially on the sarcastic side of love, was something much intriguing for me and Nikos Vavouris, the editor of […]
Interview with Maïté Sonnet, director of Massacre Tell us a little about how Massacre came about. I wanted tell the story of a reversal, a passage: from powerlessness to power. I was able to quickly imagine the two characters in the film: two little girls who initially seem innocent gradually become threatening. This pair of girl-witches, like a two-headed monster, was my starting […]
Interview with Thanasis Neofotistos, director of Route-3 So, what is Route-3? Is it an actual bus route in Sarajevo? Why did you choose this one? Yes. Route-3 is the main historic route of the tram in Sarajevo. The tram was a gift from Vienna after the war and Route-3, where the film is shot, is the only route that goes through the centre […]
Interview with Michael Frei, director of Kids Do you have further projects on the theme of group dynamics? Not specifically on this theme, no. But group dynamics are at the core of understanding so many social phenomena that it will remain present in my work one way or the other. Why were you interested in the choir song and its very high-pitched tone? […]









