๐—–๐—›๐—”๐—ก๐—š๐—œ๐—ก๐—š ๐—Ÿ๐—”๐—ก๐——๐—ฆ๐—–๐—”๐—ฃ๐—˜๐—ฆ, ๐—›๐—ผ๐˜„ ๐—ง๐—ผ ๐—”๐—ฑ๐—ฎ๐—ฝ๐˜ ๐—ง๐—ผ ๐—” ๐—ก๐—ฒ๐˜„ ๐— ๐—ฒ๐—ฑ๐—ถ๐—ฎ ๐—Ÿ๐—ฎ๐—ป๐—ฑ๐˜€๐—ฐ๐—ฎ๐—ฝ๐—ฒ ๐—ฎ๐˜€ ๐——๐—ถ๐˜€๐˜๐—ฟ๐—ถ๐—ฏ๐˜‚๐˜๐—ผ๐—ฟ๐˜€, ๐—ฆ๐—ฎ๐—น๐—ฒ๐˜€ ๐—”๐—ด๐—ฒ๐—ป๐˜๐˜€ & ๐—”๐—ด๐—ฒ๐—ป๐—ฐ๐—ถ๐—ฒ๐˜€

1 February 2021
Market, Pro Event Broadcast
By j.westermann

How are distributors, sales agents and agencies looking at the changing digital selling market? Is there something to gain from worldwide online premieres? How to adapt to a new media chronology and has this changed forever?
M๐—ผ๐—ฑ๐—ฒ๐—ฟ๐—ฎ๐˜๐—ผ๐—ฟ: Aneta Ozorek (KABOOM Animation Festival)
P๐—ฎ๐—ป๐—ฒ๐—น๐—ถ๐˜€๐˜๐˜€: Jean-Christophe J. Lamontagne (H264), Rimante Daugelaite (Lithuanian Shorts) & Luce Grosjean (MIYU Distribution)