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  • ๐—ฅ๐—จ๐—•๐—•๐—œ๐—ก๐—š ๐—ฆ๐—›๐—ข๐—จ๐—Ÿ๐——๐—˜๐—ฅ๐—ฆ, ๐—ง๐—ต๐—ฒ ๐—œ๐—บ๐—ฝ๐—ฎ๐—ฐ๐˜ ๐—ผ๐—ป ๐—ฉ๐—ข๐—— ๐—ฃ๐—น๐—ฎ๐˜๐—ณ๐—ผ๐—ฟ๐—บ๐˜€ ๐—ฎ๐˜€ ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐˜€ ๐—›๐—ฒ๐—ฎ๐—ฑ ๐—ง๐—ผ๐˜„๐—ฎ๐—ฟ๐—ฑ๐˜€ ๐—ฌ๐—ฒ๐—ฎ๐—ฟ ๐—ฅ๐—ผ๐˜‚๐—ป๐—ฑ ๐—ข๐—ป๐—น๐—ถ๐—ป๐—ฒ ๐—ฃ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ป๐—ฐ๐—ฒ

    1 February 2021
    Market, Pro Event Broadcast
    By j.westermann

    We listen to some well experienced online curators from leading digital platforms. What has been the essence of their curational philosophy and has this changed over the years? Who are they aiming for with their online content? Can they see eye to eye with the (new) festival ecosystem or do they feel threatened?
    Pa๐—ป๐—ฒ๐—น๐—ถ๐˜€๐˜๐˜€: Diana Tabakov (Executive Director + Acquisitions Asia at Doc Alliance), Nikki Loke (Content Lead at Viddsee), Arcadiy Golubovich (CEO at Argo)
    M๐—ผ๐—ฑ๐—ฒ๐—ฟ๐—ฎ๐˜๐—ผ๐—ฟ: John Canciani (Interationale Kurzfilmtage Winterthur).

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      6 November 2024
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      19 September 2024
    • 23rd Lab Competition

      17 December 2023
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    • 2024: A singular edition

      16 November 2023
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      3 November 2023
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    Clermont ISFF | ๐—ฅ๐—จ๐—•๐—•๐—œ๐—ก๐—š ๐—ฆ๐—›๐—ข๐—จ๐—Ÿ๐——๐—˜๐—ฅ๐—ฆ, ๐—ง๐—ต๐—ฒ ๐—œ๐—บ๐—ฝ๐—ฎ๐—ฐ๐˜ ๐—ผ๐—ป ๐—ฉ๐—ข๐—— ๐—ฃ๐—น๐—ฎ๐˜๐—ณ๐—ผ๐—ฟ๐—บ๐˜€ ๐—ฎ๐˜€ ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐˜€ ๐—›๐—ฒ๐—ฎ๐—ฑ ๐—ง๐—ผ๐˜„๐—ฎ๐—ฟ๐—ฑ๐˜€ ๐—ฌ๐—ฒ๐—ฎ๐—ฟ ๐—ฅ๐—ผ๐˜‚๐—ป๐—ฑ ๐—ข๐—ป๐—น๐—ถ๐—ป๐—ฒ ๐—ฃ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ป๐—ฐ๐—ฒ | Clermont ISFF
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