Interview with Frédéric Ramade, director of La voie rouge [The Red Way] How did you come up with the idea of an encounter with this medicine man? How did you conceive the filming? I met Steven a bit by chance through mutual acquaintances during his first visit to France a few years ago. In the beginning, I didn’t have a clear idea of […]
Interview with Jean-Alain Laban, director of Maître-chien [Underdog] How did you come up with the idea of using a supermarket security guard as your main character? You might be a little disappointed when I tell you that I was not “inspired” by a supermarket security guard when I was doing my shopping. It was a process of elimination. I wanted to make a […]
Interview with Clélia Schaeffer, director of Le printemps [The Spring] How did you come up with the idea for Le printemps ? In the beginning, I wanted to talk about solitude in the world of agriculture. From this starting point came the idea of Peter, an introverted teenager who struggles to communicate with others his age. Son of a farmer, he is torn […]
Interview with Peter Tscherkassky, director of The Exquisite Corpus You’re known to make films with found footage. With The Exquisite Corpus, what was your method ? How did you get your footages? I don’t search for footage. In most cases I get footage as a present from other persons. It’s a very open process because I’m not looking for a specific type of footage. For […]
Interview with Nick Jordan, director of The Atom Station How did you get the idea to make a film in Iceland? My work as an artist & filmmaker usually draws upon our relationship to the natural world in some way; how cultural, political, and economic factors influence both managed and seemingly wild places. As a dynamic, volatile landscape, on the edge of Europe, […]
Confettis et sourires © Sauve qui peut le court métrage, Baptiste Chanat Confettis et sourires © Sauve qui peut le court métrage, Juan Alonso Confettis et sourires © Sauve qui peut le court métrage, Juan Alonso Eddy Suiveng reçoit le Prix Adami d’interprétation masculine pour son rôle dans “Réplique” de Antoine Giorgini © Sauve qui peut le court métrage, Juan Alonso Gerhard Treml reçoit […]
Interview with Randa Maroufi, director of The Park Your film shows the controversies around the usage of social networks in Morocco, and in particular the Tcharmil Affair, where young people on Facebook groups show off weapons right alongside the latest trends in clothing. What interested you about this phenomenon? It was not the phenomenon as such that interested me, but more what was […]