Festival

  • Fuck l’amour
    14 February 2016
    By Clotilde Couturier

      Entretien avec François Zabaleta, réalisateur de Fuck l’amour Dans Fuck l’amour, vous questionnez la déception et l’incompréhension dans une relation parent-enfant. Pourquoi étiez-vous intéressé par le fait de montrer cet échec ? Le point de départ du film a été ma rencontre avec un garçon qui me parlait de sa relation avec ses parents. Son frère et lui souffraient de l’indifférence de leurs parents […]

  • Rencontre avec le réalisateur William Laboury © Sauve qui peut le court métrage, Baptiste Chanat
    13 February 2016
    By Ismael Joffroy Chandoutis

    Today, we had an interview with William Laboury about his film Fais le mort (F10) et Hotaru (L2).

  • E.T.E.R.N.I.T
    13 February 2016
    By Clotilde Couturier

      Interview with Giovanni Aloi, director of E.T.E.R.N.I.T.. In E.T.E.R.N.I.T. you address the matter of the new life offered by family reunification services to your main character after many years of separation from his family. Did you enquire about the true length of time people wait to welcome their families to their new country? During the research phase, I had several interviews with workers […]

  • Le repas dominical
    13 February 2016
    By Clotilde Couturier

      An interview with Céline Devaux, director of Le repas dominical [The Sunday Meal]  Where did the idea for Le repas domincal come from and how did you go about writing the dialogue? I wanted to write a film about the moment when you yourself become one of the adults in the family. And when your affection for you parents has to coexist with your […]

  • Blanquette
    13 February 2016
    By Clotilde Couturier

      Interview with Charlie Belin, director of Blanquette. Why did you choose a blanquette over a leg or a roast? Leg, roast, stew… any traditional French dish would’ve done the job. The film was created from the editing of 8 recorded family meals at my grandparents’ house. In reality, the conversations overlap a patchwork of different dishes and desserts but I chose the blanquette […]

  • Des racines2
    13 February 2016
    By Clotilde Couturier

      Interview with Jeanne Traon-Loiseleux, director of Des racines In Des racines, you address the passage into the new life of retirement. Why were you interested in this period of life in particular, and do you want to explore this theme again in future films? I chose as my main character a man entering retirement. It’s true that it’s a strange choice, because as […]

  • Camrex2
    12 February 2016
    By Ismael Joffroy Chandoutis

      An interview with Mark Chapman, director of Camrex How did you discover the Camrex Hostel ? Where is it based ? Camrex is based in Sunderland –a city that has a rich industrial history and was formerly a major shipbuilding hub in North East, England. I was casting a drama feature and the project involved extensive work with non-actors and lots of street […]

  • Touch
    12 February 2016
    By Clotilde Couturier

    Game over! The correct answer was: Touch by A. Stephen Lee (I12 programme) . During all the week, you can win two invitations for the Festival screenings, twice a day! Here is track from Clermont Ferrand International Short Film Festival to win the game “For whom the short tolls?” You must find the exact title of this film, the complete director’s name, AND the programm in […]

  • Au bruit des clochettes
    12 February 2016
    By Clotilde Couturier

      Interview with Chabname Zariab, director of Au bruit des clochettes How did you come up with the idea for Au bruit des clochettes and why did you want to address the question of slavery? I got the idea from a documentary made by an Afghan journalist, Abdullah Quraichi, who had infiltrated the “Batcha baz” (Players of Boys) networks. I have to explain what […]

  • Ciné-piscine © Sauve qui peut le court métrage, Baptiste Chanat
    12 February 2016
    By Sarah Momesso

    Ciné-piscine © Sauve qui peut le court métrage, Baptiste Chanat Réalité virtuelle, le retour © Sauve qui peut le court métrage, Baptiste Chanat Plutôt Jedi ou plutôt Sith ? © Sauve qui peut le court métrage, Baptiste Chanat Ambiance plateau de tournage avec l’école Louis-Lumière à l’Atelier © Sauve qui peut le court métrage, Rémi boissau Conférence de Christophe Galfard à la fac de […]

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