auvergne

  • sousaphone_rvb-5
    2 February 2020
    By Abla Kandalaft

      Interview with Flo Linus Baumann, director of Sousaphone What is your interest in the sousaphone? Is this an instrument you play? No, I don’t play the sousaphone nor any type of brass instrument but I’m fascinated by them. Besides the inherently comical shape of it, playing such a heavy, large instrument such as the sousaphone, needs quite a bit of dedication. That was […]

  • carriere-de-pissy_rvb
    2 February 2020
    By Clotilde Couturier

      Interview with Eliott Chabanis, director of Carrière de Pissy How did you find out about the quarry in Pissy? A great deal of luck. Carrière de Pissy is a student film that I made through the Ciné Nomad School: an international exchange project among several film schools (in Burkina Faso, Benin, Nigeria, Poland and France). The idea of the project was to make a […]

  • my-little-china-girl_rvb-1
    1 February 2020
    By Abla Kandalaft

      Interview with Sam Azulys, director of My Little China Girl Can you tell us about how you chose the title of your film? The title isn’t meant literally. It comes from the David Bowie song “China Girl”. My film, just like the song, plays with racial stereotypes in order to deconstruct them. When the other is different from us, we often image it […]

  • mega-sexy-robot-dinosaur-rvb
    1 February 2020
    By Clotilde Couturier

      Interview with Paul Howard Allen, director of Mega Sexy Robot Dinosaur How much do you enjoy artistic experiments? Cinema audiences these days are incredibly smart and cinema literate so it’s really fun to be mischievous and play with people’s expectations. This is the beauty of short film, it allows you to explore your weirdest ideas without having to satisfy a commercial agenda. Why […]

  • poussiere_rvb-3
    1 February 2020
    By Abla Kandalaft

      Interview with Clémentine Carrié, director of Poussière [Dust] Can you explain your choice of title? This short film tells the story of a breakup, and more specifically the story of mourning for a romantic relationship. The title Dust evokes both the act itself of tearing up – the fact of “biting the dust” and “turning to dust” – and what is left afterwards […]

  • girl-in-the-hallway_rvb
    1 February 2020
    By Abla Kandalaft

      Interview with Valerie Barnhart, director of Girl in the Hallway How did this retelling come about? I’m a big poetry fan, and I came across Jamie DeWolf’s live spoken word performance on YouTube. I just knew this had to be a movie – problem was I didn’t know how to make a movie or animate for that matter. So I reached out to […]

  • infierno-y-tel-el_rvb-2
    1 February 2020
    By Clotilde Couturier

      Interview with Enrique Buleo, director of El infierno y tal [Hell and Such] Why did you want to picture a rural environment? I come from a small village in La Mancha so setting my stories in rural environments is natural for me. Although I’ve been living in a city for the last fifteen years, I spent my childhood and adolescence in a rural environment […]

  • age_tendre
    31 January 2020
    By Élise Loiseau

       Interview with Julien Gaspar-Oliveri, director of L’âge tendre [The Tender Age] Your film is about a young girl’s effort to break free of the exclusive bond she has with her mother. What made you want to film such a story? Diane’s character is the product of a memorable encounter. It was this encounter, more than her story, that spurred me to make a […]

  • sodom-gomorrah_rvb-2
    31 January 2020
    By Abla Kandalaft

      Interview with Curtis Essel, director of Sodom & Gomorrah Can you tell us more about the project to build the training centres? How are you involved? Filmmaking for me is not only to tell inclusive and diverse stories. It’s paramount that with every film I produce, there is a social impact initiative to follow it. In March 2018, I made my debut short film […]

  • miss_chazelles_rvb-4
    31 January 2020
    By Élise Loiseau

      Interview with Thomas Vernay, director of Miss Chazelles Tell us a little about how Miss Chazelles came to be. I always have a hard time answering that question. There are so many reasons behind a film’s origins… The most important, I think, was me really wanting to shoot a film in the village where I grew up. It’s not a place I necessarily have […]

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