court métrage

  • Bruit du gris 1
    2 February 2017
    By Clotilde Couturier

      Interview with Stéphane Aubier and Vincent Patar, directors of Le bruit du gris [The Sound of Grey]    What techniques did you use to develop the animation? Is it exclusively stop motion? Yes, it’s mainly stop motion, but there’s also animated painting for the fresco on the scenery.  Did you make the film as part of a specific project that needed to respect […]

  • Alphonse_s_egare 1
    2 February 2017
    By Clotilde Couturier

      Interview with Catherine Buffat and Jean-Luc Gréco, directors of Alphonse s’égare    Why were you interested in social relations among young people, and in this case boys, at the precise moment when they are transitioning toward autonomy and adulthood? It could have just as easily been girls. The frustrations and impulses are identical. It’s a time in life when everything is heightened: feelings, […]

  • Sigismond
    1 February 2017
    By Abla Kandalaft

      Interview with Albéric Aurtenèche, director of Sigismond sans images (Sigismond without pictures)   Can you tell us about Sigismond’s insistence that he is Echo and not Narcissus? Thanks for this marvelous question which actually touches the essence of the film. With the development of the mobile phone over the past decade, the « digital revolution » gave us an absolute control on images, from their creation straight […]

  • I made you I kill you_1
    1 February 2017
    By Clotilde Couturier

      Interview with Alexandru Petru Badelita, director of I Made You, I Kill You  I Made You, I Kill You is about the disillusions and misunderstandings of a parent-child relationship. Why did you decide to tackle this failure? I firmly believe that a lot of how we are as human beings comes from the relationship with our parents or our mother/father figures if we […]

  • Rase campagne 2
    1 February 2017
    By Clotilde Couturier

      Interview with Pierre-Emmanuel Urcun, director of Rase campagne   How did you choose the shooting location? The Monts d’Arrée are a very particular place known to everyone in Finistere. It’s a place that feels out of time. With its ochre colors and its ancient mountains with their distinctive rocks, it’s a place for hiking and escape. I have often gone roaming there. I […]

  • L4-3JAGIWASAWINNER_STILL01 photo Jonas Odell – copie
    1 February 2017
    By Abla Kandalaft

      Interview with Jonas Odell, director of Jag Var En Vinnare (I Was a Winner)    What interested you in the theme of game addiction? There were two starting points for the idea for the film. One was something I remembered from years back, when we used to have a Playstation game console set up in the place where I worked. People used to […]

  • En cordee 01
    31 January 2017
    By Clotilde Couturier

      Interview with Matthieu Vigneau, director of En cordée (Roped Up)    Why did you choose to shoot En cordée in black and white? From the moment I wrote the script, I was set on black and white. I like of course the aesthetic aspect, but I was also looking for a timeless feel.  How did you come up with the idea of an […]

  • Et ta prostate ça va_02
    31 January 2017
    By Clotilde Couturier

      Interview with Jeanne Paturle and Cécile Rousset, directors of Et ta prostate, ça va ? (So, How’s the Prostate?)    How did you go about getting the audio for the film? Is there a documentary dimension, or was that a script read by actors? It’s all documentary! (Well, almost.) We wanted to write a script about family communication / talking about your sexuality / […]

  • I2-1-Blues with me
    31 January 2017
    By Abla Kandalaft

      Interview with Lee Hanjong, director of Blues with me    First of all, could you explain the title, Blues with me?  The title refers to the main character’s will to interact with people around him. His gestures that make him look like he is dancing are an ironical expression about his desperate situation.  I found myself both laughing and wanting to cry. In […]

  • Windows
    31 January 2017
    By Abla Kandalaft

      Interview with Zoe McIntosh, director of The World in Your Window     Firstly, could you explain the title? Without giving away the story, the film is set in a caravan park and explores the theme of grief. That sometimes in order to heal, you have to open your eyes and engage with the world again.  The relationship between the three characters is incredibly […]

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