Enter your email Address

Fest_25_carre_retina
Fest_25_carre_retina
Make a donation Press
Fest_25_new_retina
  • La Jetée

    Clermont-Ferrand

    • Documentation Center
    • Regular Events
    • Short film screenings
    • Training
    • Seminars
    • All Shorts
  • Short Film 31 JAN. > 8 FEB.

    Festival

    • Participate
      • Overview
      • Submit a film
      • Become a volunteer
      • Student Juries
      • Survival guide for newcomers
      • Professionals
      • Ticket Office
    • Discover more
      • Catalogues
      • Festival Newsletter
      • Prizes 2024
      • Le Trombino
      • Code of conduct
      • Our commitments
      • La Brasserie du court
    • Useful information
      • Coming to Clermont-Ferrand
      • Accomodation
      • Restaurants
      • Festival Locations
    • Archives
  • Short Film 3 > 6 FEB.

    Market

    • Overview
    • MEDIA Rendez-vous
    • Euro Connection
    • Shortfilmwire+
    • Participate
      • On site
      • Remotely
    • Pro Reception Desk
    • Prepare my visit
  • Short Film

    Circulation
    • Circuit Court
    • Screen festival programs
    • Plein Champ Network
    • Shortfilmdepot
  • Short Cuts

    Professionnalisation

    • Residences
    • Training
    • Support
    • Workshops
  • Education and

    Training
    • Upcoming events
    • Actions
      • Young audience screenings
      • Educational workshops
      • Anatomies
      • L’Atelier
      • Young critics competition
        • Young critics competition 2018
        • Young critics competition 2017
      • Ciné en herbe
    • Devices
      • Culture at the hospital
      • Culture in prison
      • Kindergarten at the cinema
      • High school at the cinema
      • Cinema sections
    • Training
      • Short Film Festival
      • Teaching cinema
      • School and cinema
      • Middle school at the cinema
      • High school at the cinema
      • Cinema sections
      • PREAC cinema
      • MIRE / ESPE
    • Resources
      • Educational tools
      • Transmission impossible
      • Le fil des images
      • Transmettre le cinéma
      • Ressources by film
      • Côté Court – LDVTV
        • Côté Court 2019
        • Côté Court 2018
        • Vu en court 2017
        • Vu en court 2016
        • Vu en court 2015
        • Vu en court 2014
        • Vu en court 2013
        • Vu en court 2012
  • Our newsletters
  • News
  • Archives
  • About us
  • Team
  • Partners
  • Advertisement

© Sauve qui peut le court métrage

Legal Mentions | Privacy

  • FR
  • EN
  • Dinner with Leoforos Patision

    31 January 2019
    Festival, Meeting with…
    By Abla Kandalaft
    • leoforos-patision-1-rvb

     

    An interview with Thanasis Neofotistos, director of Leoforos Patision (Patision Avenue)

    la mouche cf Can you tell us, for those of us who don’t know, what happened on Patision Avenue? Why did you want to set the short there?
    The story of Katerina, Yanni’s mother, takes place on Patision Avenue. A young, aspiring actress is on her way to a very important audition, when she learns that her son has been left home alone by the lady who was looking after him. In 10 minutes, she has to face her life’s most important dilemmas. Patision is a very emotionally powerful road of central Athens. It once was one of the most aristocratic districts and nowadays it has a completely different vibe. It is a road of fascinating diversity, where one moment you are at the extremely important archeological museum of Athens, the next you run into a riot in Exarchia and then you walk through a crowd of refugees gathered on Victoria square. I love this area.

    la mouche cf Why did you choose to film exclusively from the back of Yanni’s mum?
    Back and one long take shot! This decision was mainly artistic. It first came to my mind because I’m really influenced from video-gaming and the kind of identification with the hero this style offers. I also wanted for everyone to put the face of “their” Katerina on my heroin. We had another option which was showing her face in the last scene but we discussed it with the artistic team of the film and we all agreed not to show it at all.

    la mouche cf What sorts of subjects and stories would you like to explore next?
    The stories of people in their most vulnerable and life-changing moments. I’m really interested in people when they face extreme situations, negotiating their family roots and utterly themselves.

    la mouche cf Would you say that the short film format has given you any particular freedom?
    I wouldn’t be able to do a one-long-take shot movie if it wasn’t for a short film. This format offered me precious artistic freedom, to experiment with my cinematic language without any limits. I did that in Patision Avenue,I really let myself do what I really wanted, and I feel it was a completely justified choice!

    Leoforos Patision (Patision Avenue) is being shown in International Competition I6.

     

    auvergne, clermont-ferrand, competition, court métrage
    Networks
    Recent posts
    • 2025 Panorama: geographical focus

      6 November 2024
    • 2025 panorama: Theme in focus

    • 2025 OST Challenge

    • Clermont-Ferrand Short Film Festival unveils 2025 poster

      19 September 2024
    • 23rd Lab Competition

      17 December 2023
    • 36th International Competition

    • 46th National Competition

    • 2024: A singular edition

      16 November 2023
    • Kickstarter x ClermontFF

      3 November 2023
    Blog
    Exposition Jean Mascii : 50 ans de peinture et de cinéma
    Dinner with Shooting Stars
    0
  • FR
  • EN
  • Ville de Clermont-Ferrand Département du Puy-de-Dôme Clermont Métropole CNC Ministère de la culture et de la communication Région Auvergne-Rhône-Alpes Europe Media
    All partners
    Clermont ISFF | Dinner with Leoforos Patision | Clermont ISFF
    class="post-template-default single single-post postid-29937 single-format-standard samba_theme samba_left_nav samba_left_align samba_responsive fl-builder-2-8-6-1 thvers_104 framework_99 wpb-js-composer js-comp-ver-7.7.2 vc_responsive"