Enter your email Address

Fest_25_carre_retina
Fest_25_carre_retina
Make a donation Press
Fest_25_new_retina
  • La Jetée

    Clermont-Ferrand

    • Documentation Center
    • Regular Events
    • Short film screenings
    • Training
    • Seminars
    • All Shorts
  • Short Film 31 JAN. > 8 FEB.

    Festival

    • Participate
      • Overview
      • Submit a film
      • Become a volunteer
      • Student Juries
      • Survival guide for newcomers
      • Professionals
      • Ticket Office
    • Discover more
      • Catalogues
      • Festival Newsletter
      • Prizes 2024
      • Le Trombino
      • Code of conduct
      • Our commitments
      • La Brasserie du court
    • Useful information
      • Coming to Clermont-Ferrand
      • Accomodation
      • Restaurants
      • Festival Locations
    • Archives
  • Short Film 3 > 6 FEB.

    Market

    • Overview
    • MEDIA Rendez-vous
    • Euro Connection
    • Shortfilmwire+
    • Participate
      • On site
      • Remotely
    • Pro Reception Desk
    • Prepare my visit
  • Short Film

    Circulation
    • Circuit Court
    • Screen festival programs
    • Plein Champ Network
    • Shortfilmdepot
  • Short Cuts

    Professionnalisation

    • Residences
    • Training
    • Support
    • Workshops
  • Education and

    Training
    • Upcoming events
    • Actions
      • Young audience screenings
      • Educational workshops
      • Anatomies
      • L’Atelier
      • Young critics competition
        • Young critics competition 2018
        • Young critics competition 2017
      • Ciné en herbe
    • Devices
      • Culture at the hospital
      • Culture in prison
      • Kindergarten at the cinema
      • High school at the cinema
      • Cinema sections
    • Training
      • Short Film Festival
      • Teaching cinema
      • School and cinema
      • Middle school at the cinema
      • High school at the cinema
      • Cinema sections
      • PREAC cinema
      • MIRE / ESPE
    • Resources
      • Educational tools
      • Transmission impossible
      • Le fil des images
      • Transmettre le cinéma
      • Ressources by film
      • Côté Court – LDVTV
        • Côté Court 2019
        • Côté Court 2018
        • Vu en court 2017
        • Vu en court 2016
        • Vu en court 2015
        • Vu en court 2014
        • Vu en court 2013
        • Vu en court 2012
  • Our newsletters
  • News
  • Archives
  • About us
  • Team
  • Partners
  • Advertisement

© Sauve qui peut le court métrage

Legal Mentions | Privacy

  • FR
  • EN
  • Dinner with The Big Break

    3 February 2019
    Festival, Meeting with…
    By Abla Kandalaft
    • big-break-the-1-rvb

     

    An interview with Philip Andelman, director of The Big Break

     la mouche cf Who or what inspired you to write the main character of The Big Break?
    The main character was supposed to be representative of an American every-man.  A guy who does everything by the books, who is a dutiful husband and father, a diligent worker, and simply cannot get ahead in life.  There’s a growing sense of helplessness in America right now that I wanted to tap into.  I also kind of worked backwards, finding frustration in bureaucratic vortexes and thinking “what is the worst version of being stuck on hold”, and then building the character and story out of this idea.

    la mouche cf How did you cast the actor?
    Again, working backwards, I asked an old college friend of mine, Ben Kutchins, to DP the film.  A good friend of his was Justin Bartha, the actor who played Stephen.   After he signed on he suggested Paul Lieberstein for Ted, as he had just met him at a festival.  It was truly a dream cast.

    la mouche cf Can you tell us a bit about your background in film?
    I went to NYU’s undergraduate film school and then spent the next fifteen years directing commercials and music videos for a broad range of bands and artists (country to hip-hop, pharmaceuticals to streetwear).  This is my first narrative project.

    la mouche cf What genres would you like to explore as a filmmaker? What subjects would you like to tackle?
    I’ve always been in love with comedy and more than actual subjects, I’m interested in exploring what makes us laugh and why.  There is nothing more fascinating than laughing at something you shouldn’t be laughing at and then questioning yourself over this.

    la mouche cf Would you say that the short film format has given you any particular freedom?
    Absolutely!  Not having a record label, a client, or an agency hovering over you is beyond liberating.

    The Big Break is being shown in International Competition I9.

    auvergne, clermont-ferrand, competition, court métrage
    Networks
    Recent posts
    • 2025 Panorama: geographical focus

      6 November 2024
    • 2025 panorama: Theme in focus

    • 2025 OST Challenge

    • Clermont-Ferrand Short Film Festival unveils 2025 poster

      19 September 2024
    • 23rd Lab Competition

      17 December 2023
    • 36th International Competition

    • 46th National Competition

    • 2024: A singular edition

      16 November 2023
    • Kickstarter x ClermontFF

      3 November 2023
    Blog
    Discours d’ouverture du 41 festival du court métrage de Clermont-Ferrand
    Night cap with Comment Fernando Pessoa sauva le Portugal [How Fernando Pessoa Saved Portugal]
    0
  • FR
  • EN
  • Ville de Clermont-Ferrand Département du Puy-de-Dôme Clermont Métropole CNC Ministère de la culture et de la communication Région Auvergne-Rhône-Alpes Europe Media
    All partners
    Clermont ISFF | Dinner with The Big Break | Clermont ISFF
    class="post-template-default single single-post postid-29977 single-format-standard samba_theme samba_left_nav samba_left_align samba_responsive fl-builder-2-8-6-1 thvers_104 framework_99 wpb-js-composer js-comp-ver-7.7.2 vc_responsive"